History has shown us what art looks like in times of war. We know how artists respond to scarcity, violence, and rupture. They absorb them. Survival and making are inseparable. Again and again, creativity bears the responsibility to both witness what is and imagine otherwise.
Reflecting on society’s relationship with images, it’s evident that controlling Black representation isn’t merely a matter of intervention but a critical battlefield for shaping an authentic Black aesthetic.
Under certain conditions, gray can return to Black, not as recovery of an origin but as a reassertion of presence within a field structured to manage and dilute it.
ABOUT LECTA
LECTA is a space shaped by questions rather than conclusions. It is invested in ruminations on futurism, in the slow work of looking, and in what becomes visible when we linger with an image, a text, or an idea longer than is expected.
Through interviews, essays, and criticism, the blog holds room for thinking across disciplines, allowing art, writing, performance, music, and visual culture to speak to one another without hierarchy.
Resisting speed, resolution, and hierarchy, the criticism offers reflection as a practice and imagination as a method. What emerges is not a directive, but an invitation: to sit with the work, to listen closely, and to imagine otherwise. For any questions please email lectablog@gmail.com
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